Esteban Molina Soto
Esteban Molina Soto (2003, Cañete, Chile) developed his interest in film through his grandfather's extensive DVD collection. At 18, he moved to Santiago to study at the University of Chile's Film and Television School, where he is currently a fourth-year student. During this time, he created his […]
Emilia Yelor Mora
Emilia Yelor Mora (2005, Valdivia, Chile) is a second-year student at the School of Audiovisual Creation at the Austral University of Chile. Originally from Futrono, she is a director interested in the decentralization of Chilean cinema and in promoting projects from the regions. She also explores the link between audiovisual media and music, seeking fresh narratives that […]
Daniel Águila Maureira
Daniel Águila Maureira (2000, Talagante, Chile) is a third-year student of Audiovisual Communication at the Professional Institute of Chile. He grew up in Malloco, a rural town in the Metropolitan Region, and his passion for nature and understanding it are the driving forces behind his perspective.
Alyn Francesca Body Lizana
Alyn Francesca Body Lizana (1994, Santiago, Chile) is a third-year Film student at the Arcos Professional Institute, an audiovisual producer, and a photographer. She specializes in analog documentary photography and her interests lie in essay films, hybrid films, and new media. She directed Artists and Their Trades – the first installment of 'Aisa Sana' (2023) and the […]
Agustín Olivera Sepúlveda
Agustín Olivera Sepúlveda (2003, Valparaíso, Chile) entered the Film School of the University of Valparaíso in 2023 and is currently in his third year. He has worked on documentary, fiction, experimental, and music video projects, serving as director and assistant director. He participated as a directing intern on the feature film 'Supernatural Stories,' currently in the pre-production stage.
Roberto Collío Aburto
Roberto Collío Aburto (Santiago, 1986) is a filmmaker, curator, composer, and visual and sound artist involved in experimental and non-fiction practices. His work explores the material properties of reproduction and/or projection, transforming elusive moments of light, sound, and time into instances for expanding the idea of cinematic space. The use of various past technologies, […]